

St. Paul’s is an inspiring architectural monument, and I climbed the 530 steps to the “Golden Gallery,” able to look out over the Thames and the great metropolis before thundershowers chased us down. The Quire (that’s right; not spelled “choir”) features amazing baroque carving Grinling Gibbons, whose decorative arts Ellie has come to know in her studies. The American Memorial Chapel stands behind the High Altar in an area that was bomb-damaged during the Blitz of 1940: it has three stained-glass windows that contain images of the seals of the 48 (wartime) states, and a leather volume listing the 28000 Americans who didn’t come home from Europe.
As dinner time approached Ellie and I conferred by cell phone to assess the unstable weather, as we planned to rendezvous for outdoor supper on a blanket on the (damp) grass. The occasion was the outdoor simulcast from the Royal Opera House of Rossini’s Il barbiere di Siviglia. We had been to a digital simulcast from the Metropolitan Opera (NY) before, and guessed that the sound quality and camera work would be excellent. As silly as anything from Gilbert & Sullivan, we saw excellent acting and a major heartthrob tenor Juan Diego Florez. It rained – HARD – for the first five minutes, but we got through the three hour performance damp but excited, and protected by the ground cloths and inflatable pillows provided free by the sponsors. But the big story was the American mezzo-soprano Joyce DiDonato, who performed flawlessly from a wheelchair, having broken her leg on opening night(!!) Her performance got rave reviews, and she tells the entire story on her blog. Talk about a class act! As the stars came out and the chill took hold, we found our way back to Cousin Nancy’s for the night on the wonderful Underground.
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